Avengers Endgame - What Happened? K.O.
Hello, my beautiful friends! Thanks for coming again! How are you living?
So, Today I am going to talk about a fantastic movie called: Avengers: Endgame!
So far, I'm amazed at everything I've seen in this movie. When the first "Iron Man" was released in 2008, it was impossible to imagine the snowball that Marvel Studios was creating. Since Avengers 1, Extremely well-built, Marvel's Universe has masterfully managed to introduce us to more than thirty comic book heroes on the big screen.
It is the end of all that we knew and loved about this whole universe. That said, we can say that it is at the end of the journey that we have to look at the beginning. It took several films to introduce each of our heroes sincerely so that we cared affectionately for each one of them. I remember when I saw "Age of Ultron," I thought that It has too many characters, but my opinion has changed.
With all the characters adequately introduced and loved by the audience, the avenger's cast was terrific. They decided it was time to reunite them in "The Avengers," a true landmark of cinema. It proved it was possible to bring together a large number of stars in the same project. Also, the time when the journeys of Iron Man, Captain America, Thor, Hulk, Hawk Archer, and Black Widow intertwine.
The story begins 23 days after the events of "Infinite War" when villain Thanos was successful with his plan to decimate half of the beings in the universe. This includes some of our favorite heroes, as well as the loved ones of those surviving heroes. The heroes featured in the first one come together to destroy Thanos.
The drama between Captain America and Iron Man takes on, showing the differences between the characters. And delivering a worthy outcome for the journey that began back there and was enhanced by "Captain America: Civil War." Captain Marvel is best developed in this one, Thanos remains the main villain of Marvel and Today's cinema. Full of layers that transcend evil and deliver a soulful character who is understood even if his actions are the best. The 3 hours long pass very quickly, facing the agile script and the very well developed dialogues that brilliantly navigate between drama and humor. The momentum between our heroes is perfect, and all the loose ends and debates left in previous films are tied cleverly. Everyone will have a decent outcome, whether for good or for evil.
The premiere takes place in parallel with last season's Game of Thrones. Airing because there are two cases where the final delivery of fan service, after years of character development, involves a primarily functional character. We know who these heroes are! What their unresolved issues are, so what's left to tell beyond the outcome? How to give the public what it expects? GoT is struggling to deal with this issue. Marvel is already betting on the self-conscious character of its films and characters.
We know how it is: In Marvel movies, superheroes play with jokes about being superheroes. Self-awareness is a central element of the blockbuster of this age of wry consumption, a humorous antidote to action figure films that lend themselves to disability without taking themselves too seriously. They turn self-awareness into a plot turning point.If Captain America had an individual self-awareness of his condition. This is inscribed in the course of the action itself. If the Captain finds his past version, you will only have to comment on your own condition and face it. Your future depends on self-awareness.
Obviously, Endgame drank too much from the Back to the Future source in this case. Including - after all in post-irony this needs to be underlined - the trilogy is mentioned literally, alongside other time travel movies.
And there's the second level: It's not just about Marvel's own party! It's also about celebrating the myth of superheroes as a mostly American thing. Deeper and more insidious, Americanism opens and closes the movie (in the beginning, a farm, lunch with family hot dogs; in the end, the zoom-in of a suburban house to the sound of jazz). There are a variety of elements that mark this level. From the choice of songs (even on the edge of the universe you hear folk-rock) to the scenarios (we see the impact of Thanos's crackle).
The main elements of Americanism, however, are the two themes that are in the film's statement: the homecoming and the second chance. Of the issues dealt with in Hollywood cinema since the Age of Studios, none is as present as these two. The question of the second chance is evident. The Avengers were defeated by Thanos, now seeking revenge; Captain America and Iron Man have issues, currently seeking reconciliation. The theme of homecoming, on the other hand, is consumed in various ways from the premise that involves time travel. In this combination, MCU's self-celebration sounds more profound and more ideologized in this movie, as well as more emotional. If Infinite War brought the Marvel way of the blockbuster to outbreak, this is the glorification of the American ideal in this 21st-century pop imagination, dominated by superhero cinema.
Kevin Feige, Joe, and Anthony Russo and the other Marvel names behind the camera Today came from a hopeless generation born in the 1970s. But the ideals that it carries with them are those of the Baby Boomers. The previous generation, the children, born after the war. When political optimism and economic bonanza allowed a demographic explosion in the U.S. It's the years of superhero comics portraying American ideals. And especially the years that Steve Rogers lost frozen in fiction. The traditional family nucleus - of well-fed children, caring mothers, and working fathers. It is at the heart of this idea, and if Avengers is a celebration of the myth of postwar American superheroes, then it makes perfect sense to be A family celebration.
The queen who runs her hand over her son's head. A thoughtless ruler is establishing a new structure. The businessman about to be a father who finds himself worried about being too workaholic. The symbol of personal sacrifice that thinks twice about the chance of creating a family bond. MCU has so many characters, also, that it is not difficult to find a pattern in the subplots. It is a fact, however, that in this vast final chapter, made up of debt, the family issue is fundamental. Not by chance, one of the most felt goodbyes throughout the film involves a character whose essence is the impossibility of the blood bond. There is for everyone, yes, but not everyone can be a "traditional" family in the end.
Debated in this age of uncertainty whether the role of vigilantes in pop culture, by nature a conservative position, would lend itself politically to reaffirming this reaction Today. Marvel knows how to work on this issue in films that are in the genre, such as Black Panther. It is possible that still discussed in this sense, but at first glance, we have here, mainly, preaching for converts. Older readers are provided for, and younger readers too. It cites from Secret Wars (Hulk, rubble) to the Secret Empire. Even Marvel fans on T.V. are contemplated. And no moment makes this as bright as the moment when Captain America whispers a word at the climax. He whispers, instead of shouting, because he is self-consciously not talking to other characters in battle, but to each of us out here.
Already in the second half of the film, the intelligent script and extremely accurate editing revisit several iconic moments of these eleven years of MCU. After all, our heroes decide to cling to the slightest thread of hope and set off for answers in an intricate affective memory activation effort that can drive fans into delirium. But in an honest and leverage-driven way. At the same time, it pays a dignified tribute to Marvel itself.
This option to bring the audience closer to its heroes humanly contributes significantly to a noble and apotheotic third act. Everything in the movie is built so that the audience makes a very intense emotional investment at this time. Emotions aside, unfortunately, the film presents some problems in its logical structure. Some rules are established to be immediately broken as the narrative needs. Another problem is the use of little or poorly explained crutches and facilities that abuse the suspension of public disbelief. Obviously, we are talking about a fantasy, but it is necessary that the rules established in this fantasy be fulfilled; otherwise, the public understands that it was created. These are minor problems in the face of all the evolution and quality achieved.By completing or resignifying the saga of the first Avengers: Iron Man, Captain America, Black Widow, Thor, Hawk Archer, and Hulk. Marvel says goodbye to the past while paving the way for a promising new stage in theaters. To deliver one of the best and most epic films of this beloved genre that Marvel itself helped revitalize.
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